PANTOMIME SCRIPTS FOR LARGE CASTS
14 Principals and over
I wrote these pantomime scripts specifically as large cast pantomimes. They all have lots of wonderful characters for you to get your teeth into and also lots of cameo roles to add to the fun. Whatever your requirements, all my scripts have a running time of about two hours plus interval. They’re traditional, fast paced, funny and feel fully twenty first century. Check them out below!
ALI BABA AND THE FORTY THIEVES
This script is one of the funniest and the most anarchic of all Ben’s scripts. With an optional fight for multiple dames, this script delivers comic mayhem in spades!!
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ALICE IN WONDERLAND
A wonderful reimagining of this best loved classic. Over twenty speaking roles with great parts for both men, women and some charming cameo roles for children. The funniest, most topsy turvy version you will ever see!
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CAMELOT THE PANTO
A madcap twist on one of the English speaking world’s best loved legends. Written for a large cast, it’s a very funny, award winning script with lots of great roles for both men and women.
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PUSS IN BOOTS
This is a very funny panto script with a fantastic range of roles. Full of sparkling wordplay, great situations and inspired anarchy from start to finish!
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SNOW WHITE
In this delightful, award winning Snow White script, Ben’s winning sense of fun sparkles from start to finish. Lots of great parts and a brilliant choice for groups keen to foster younger talent.
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TREASURE ISLAND
Ahoy there, me hearties! If you fancy a Pirate panto script this year, then this is the one for you! Loads of laughs and adventure, with a large cast and great roles for both men and women!
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LIST OF ALL PANTOMIME SCRIPTS
Aladdin (Version 1)
Aladdin (Version 2 - Arabian Setting)
Ali Baba and the Forty Thieves
Alice in Wonderland
Beauty and the Beast
Camelot the Panto
Cinderella (Version 1)
Terms & Conditions
The reading copy is for review only and possession does not convey any rights for performance. A licence must be obtained prior to the start of rehearsals and the appropriate royalty paid before any public or private performance. No scripts should be reproduced either in whole or in part without written permission to do so.​
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